Poetry #252

GOD IS ALWAYS THERE!

Working,
Eighteen hour days,
Ballet gigs,
Working!
Could use some let up.
Oh yes,
When slow
We want more work!
Pulling cart
Up street
Cart follows
Up the street
No Cart - look for things,
Cart - forgot what's in,
Random objects appear
Carried in cart.
New collection,
Leave it to random
Next traveller.
Let go bridges
Physical form:
Left, another
Beyond barriers,
Revisits scenes
Where different parts play.
Dream
Car being fixed,
Drive I, woman,
Return to hotel flight
Or something.
Stop at old place,
Young guy,
Garden's carrots planted
Not ready yet,
A small plant with shredded coconut
Growing on it,
Herb.
Missed company
Gay in a way
Non-responsive parents?
Who raised him,
Not there or in old house,
Now in shed by garden.

We'd walked by apartment
Where once stayed and flash,
When in it too,
Departure from it, and laughed,
Recall another,
Then pick up applications
New apartment to be ready spring,
Being built at one hundred plus street,
In city and area,
Knew well.
Five, six pages both sides twelve
Area building subsidized,
Rent car not ready
Thought five days,
Monday.
The non-responsive unaccustomed
Abandon naught there,
Not situation in inner place
Not at moment
Not there,
Would awaken there
When really there.
With garden not ripened yet,
Not ready, and the nature
The 'run down' place,
Cot in tool shed.
The main house,
No one in it,
Parent figures were gone;
The sense another time
When were alive,
A closer look
The fading house,
Broken windows,
Shack like,
Decay,
Falling apart garden behind
That house and shed behind
That had gone.
Up and down the stairs in building
Where people were in basement
Where the applications were.
January,
First page and changed it,
That would be a month flew!
Gone,
It thrust first year painting,
Ready, and after tax
Accounting update,
The twenty-fourth
Thought already
February
Now mid-month.
The fleeting!
Be! do! have!
References knowing not why?
Conscious being here,
By action,
Show identity.

Just apexed,
When last pre-retrograde?
Check that flow of time's frames.
Too the focus and 'connections'
To planes exists meaning in
This household and not so with outside,
So too first day symbols,
Whatever happened
Script writing,
To play out play.
Thoughts,
Imaginations,
Expressed do you want to play!
Eggs-on, urgings,
Not unlike others
Too caught up in the external 'real'
Not able to do.
Too the letters first writ in works,
To fin out,
Do what do and is done!
All's focus apex view as stated
The times now!
When last
Where 'in fear' or in 'unknown'
Plunge in - of what want?
Statements too of 'burning desire'
Drive to produce.
Where 'lack' drives to create
Fill the 'lack'
Not conscious choice
Then made actions there from
What's said - speaker!
Not words only!
Faith without works
Dead.

Yes too, with 'mastery meetings'
Where exchanges express each
Responses, traps, places,
Sees what fires within
To move one on and outward.
To force answers
To fit into what one's thoughts
Answers pre-made,
And one's Act! Act! Act!
References to things brought forth
Of ones 'normal' conditioned states
Of being and doing that do
Produce what haves
The reality in which fins oneself.
The reality in which finds oneself.
Now, that's loaded!
Finding oneself in it can be
The needle in the haystack,
Knowing whatever views
Is oneself in it,
And anything one changes comes
From an action within one.
Changing externals
Remaining the same.
The action to change
An external is reflective
Of cardinal change
Fleeting then, yes?
But relative to what?
What is 'fixed' when but reference
To 'time frames' or more 'frame works'
With different states
Time idea constructed.
Thoughts to expressions poetry
To Prose,
The Natural
Dancer/Poet/Painter
Become more dense/concrete
Then idea
Prose and Poetry
Difference in style and formations
That 'in works' become digestible
For whom
Not poetry prone!

The different hats worn!
Jack of all trades,
Master of none ideas
Master all trades relative
To 'which you, which world'
And the shifting hats.
User pseudonym forms
Could hat wear and how
Comfortable and well
Does one do the same!
Not confusing who's who
And yet doing them each.
Yesterday's ideas
The group scenes,
Where Othello,
Iago roles reversed,
So the role is the role played
The actor is the actor whom can play
Multiple roles - in group play - where
Parts interchanged,
Whose who and what's what
By the ability played.
We,
The form physical,
Are a role actor plays,
We,
The role,
Think it's who we are.
So any understanding roles
Expressed other character on stage,
The connections made,
Frighten us,
We 'hide' in the role
Rather than bring it forth.
Too the tending
To think it 'fixed' as the play ->
Hit the mark, say the line.
Must as written be,
Yet the complication
When "closed system"
Thinks it is - As - Yes!
To go up on lines or jump to wrong scene
Throws all actors off,
And ends up a 'mess' with fumbling
To get back into the linear frame
That is 'expected' by all,
The actor, crew, stage manager,
Audience too.
We improvise
Another ball game
Psychology has now
Phenomonology, Philosophy, Physics
Barriers to 'Open Systems', and
Randoms too.
Thought reliances on,
What?
Build it and abandon it
There's a mess.
Like death
Someone's left to go
Through the things often
In commitments
We think are whom?
Our own, or someone else's
Who rely upon,
To 'keep it together',
For us?
Mutual support in all we do,
No one does it alone;
When self empowered
One draws upon support,
Needed and gives it too,
But not reliant upon particular
Ways, persons giving power
To someone else,
Giving ones responsibility
To someone else.
When they are not there
We then fall apart!

God is always there!
The universe always
Provides the support
Materials to draw upon.
Not use-waste-discard -irreverently,
Destroy planet industry,
But mutually in growth,
Caring for that which sustains each,
Stands on its own.
Open System!
Structure's there
Not fixed in limits to disallow
Random's creative usages according
To what comes through system
Qualities it takes
While passing through.
The 'out on a limb' aspect seems
To frighten
What's not fixed
Though view of cardinal change
May frighten too.
Commitments to do, does, can
Always let go!
To new makeup.
Have mutable synthesis aspects.
Timeframe's frameworks
Where all are part of each
Quality "contained"
In circle using "whole"
Moving through container
A momentary thing
One's passing.
In it
Not of it
Many mansions too!


Poetry #253

HITCHCOCK WITH A TWIST

Door bell,
A box crystal house,
Pillow, bowl valentine
Put away,
Clear, close,
Limbs
Enlivening aura,
Heart idioms
Spending time
To open
More and more
The rhythms
Expanding usage
Commanding language.
Earth's events
Split screens even approach
Inserts dismissed
Comedy.
Then relaxing
Play,
The Cosmic Dance,
Where opposing forces
Without struggle,
In perfect balance.
Hitchcock with a twist
Excitement
Not boring.

©2002 - JV Harvey